Traditional dress between identity and performance

The thobe and the ghutrah are not merely clothing. They are a daily performance of identity that declares belonging and negotiates presence in Saudi social space.

Noura Alshamsi
Noura Alshamsi Specialises in cultural anthropology and the intangible material heritage of the Hijaz.
We wear our clothes the way we write our lives — with a deliberate choice of what we mean to say, and an equally deliberate choice of what we mean to withhold.

The bright white thobe, the falling ghutrah, the igal tilted at a particular angle — these are not simply garments. They are visible messages carrying precise social codes that only those living inside the system can read.

The daily performance of identity

In The Presentation of Self in Everyday Life, the sociologist Erving Goffman argued that daily life is a continuous theatre. Dress, in that frame, is a central part of the set and costume that define the role and set the relations.

In the Saudi context traditional dress adds a national dimension in formal settings — the white thobe becomes, in effect, a national suit — while in tribal settings it carries fine details pointing to regional and family belonging.

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Specialises in cultural anthropology and the intangible material heritage of the Hijaz.

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